Wordsworth's line brings to mind the ideals of the Romantic movement, where Wordsworth was a main player. Specifically, when Wordsworth finds that the view before him relieves the "burden of the mystery," he is hearkening to the ideal of the "sublime," where Romantics found peace in the beauty of nature:
that serene and blessed mood,
In which the affections gently lead us on,—
Until, the breath of...
Wordsworth's line brings to mind the ideals of the Romantic movement, where Wordsworth was a main player. Specifically, when Wordsworth finds that the view before him relieves the "burden of the mystery," he is hearkening to the ideal of the "sublime," where Romantics found peace in the beauty of nature:
that serene and blessed mood,
In which the affections gently lead us on,—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things. (39-47)
Going along with the Romantic ideals, Wordsworth's definition of burdens would be unique to the individual. He speaks earlier in the poem about those in the village he imagines; those individuals would have their own burdens—work, children, enemies, and so on. The Hermit that he mentions in lines 21-22 might have more intellectual burdens, perhaps thinking about the mysteries of life and death. For these individual reasons, Wordsworth does not define those burdens; he wanted to make his own personal remembrances of Tintern Abbey and River Wye accessible to anyone reading his lines. That was another aspect of Wordsworth that made him famous—the ease with which anyone could read and understand his writing.
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